Officially an MFA Candidate now! This week I met with my committee to discuss my work from the last year, as well as my future plans for my capstone MFA Exhibition. In order to continue on to that final work, I must first be granted authorization - which I was! Below is my set up in Gallery 7 which was on view for a few days. Onward and upward.
What a Friday! Just returned from Chicago, where I attended the opening of All have the same breath at The University of Illinois-Chicago’s Gallery 400. I have a piece - Wane, 2018 - featured in the exhibition, the result of a year-long collaboration project between myself, a few other artists (including the talented and kind Robert Lundberg), and researchers in the Geography Department at the University of Wisconsin-Madison. The project and resulting exhibition was supported in part the Humanities Without Walls Consortium. Scientists and artists from Illinois, Wisconsin, and around the world were invited to participate - you can read more about the project here.
I was alerted to the opportunity to be a part of this exhibit through Terra Incognita, an ecologically-minded humanities initiative here at UW. I automatically jumped at the chance, as I have always wanted to work with scientists - it was one of the reasons I chose Madison for grad school! In addition to being a Research I University, Madison was a seed bed for the modern environmentalist movement and the resources here are rich for learning about land, agriculture, geography, biology, and more.
The research group I was paired with studied the effects of hydroelectric damning, particularly in Cambodia, and all the regulatory issues, politics, and ironies that come with such a practice in the anthropocene. A sincere thanks to Ian Baird and Nathan Green for their research and resources throughout the process, as well as LauraLee Brott for her amazing cartography skills. I have inherited a whole new vocabulary and pile of research documents on current environmental affairs (Carbon credits! CDMs! International Rivers documents!) which has given me keener insight into current global-environmental issues.
I’m exceptionally bummed that I could not make it out to the 2019 ECU Material Topics Symposium - I’ve always wanted to go! I’m knee-deep in my graduate studies at the moment, so there will be no travel until summer rolls around. However, a few of my Joshua Tree pieces and images are in North Carolina on my behalf, courtesy of my inclusion in the Ephemeral Archived exhibit at the Emerge Gallery in Greenville. The opening reception was also last night, and eternal thanks to the awesome Jane Ritchie for snapping some photos for me. So elated to be a part of such a neat exhibit for a linchpin event for American art jewelry.!
Got word this month that I’ll be teaching a pendant casting workshop at Wheelhouse Studios in the UW-Madison University Union this March. Wheelhouse Studios provides an open art studio for the campus community to create and learn, and has a fantastic little metals lab. More information soon!
I’d like to extend a heartfelt thank you to Southern Illinois Metalsmiths Society for the recent inclusion of my piece Strain (along with pieces by my UW peers and friends Chloe Darke and Luc Pointon), in their 2018 Forge, Form, Fabricate exhibition. In addition to this, I was recognized with an award for third place in the juried portion. I wish I could make it down to Carbondale to see the exhibit, however for those of you who can it will be up in the University Museum through October 31st.
The official holder of a Certificate in Museum Studies from Northwestern University! It came in the mail today - it took about a year to finish, but the experiences I had completing it were great for my skill repertoire. While completing two credential-granting programs at the same time was stressful, the knowledge I gathered from both played off of each other and gave me a rounder, more varied perspective about art today. Maker. Curator. Visitor. Educator. Administrator. Historian. Doer.
Two weeks until I return to school to start my second year of graduate school - I'm stunned that time continues to slip away. As I scramble to finish the multitude of projects that I slated myself to finish this summer and chide myself for not getting more done, I have to reflect on what I actually DID do this summer. To be fair to myself, I accomplished a lot!
I managed to pull together an early (and much needed) summer vacation to Massachusetts, Rhode Island, and New York with my daughter to visit my partner in Cape Cod in May - we relaxed on the coast, enjoyed an encaustic symposium in Provincetown, went to NYC to see Heavenly Bodies at The Cloisters and The Met proper, visited the MFA-Boston, Salem, Sienna Patti, checked out Anselm Kiefer's new show at MassMoca, saw old friends in PVD, and visited my most beloved aunt in Oakham. It was my daughter's first time seeing the ocean and it was a trip we will never forget.
Upon returning, it was time to work. In addition to teaching and making this summer, I was awarded a small grant for research late in the Spring semester, so I used the funds to travel north to the upper Michigan peninsula for field work. I spent the weekend studying the material culture of the Finnish and mining cultures of the region, visiting museums, sweating it out in saunas, and eating pasties along the way. On my last day, I joined up with a group of UW-Madison Folklore students also researching in the area, and we attended the annual Juhannus festival. There was Finnish food, dancing, beer, and a spectacular Midsummer bonfire in Toivola.
Finally, my fellow grad Chloe Darke and myself were awarded scholarships to attend a workshop at Pocosin Arts School of Fine Craft in North Carolina. For a week we refined our smithing skills alongside Maia Leppo creating steel jewelry pieces and samples. We also enjoyed the swamp and its resident spiders, ate lots of Peruvian and Mexican chow, saw amazing enamel work, and visited the local junk shops (where I found an amazing antique steel greyhound muzzle, which I kept on my bench throughout the class). There may have been a trip to the outer banks for some legitimate beach time as well . . . On our last day, we drove to Norfolk, VA and visited my buddy Jane Ritchie, who took us for to superb sushi and local brews. The utmost of thanks to Pocosin for gifting us the time and space to work, as well as all the new connections.
It really has been a summer to remember.
Tomorrow is my last day teaching for the P.E.O.P.L.E. Program for the summer, and Friday is my students' graduation. My heart is bursting with pride - I had the privilege of working with three bright, compassionate, and inquisitive interns as a resource for their professional development. Through these past four weeks, we worked through what it means to study art and be an artist in today's world.
In addition to going through a smorgasbord of professional practices curricula, we also discussed generational differences and technology - espicially how they affect art perceptions and making. We looked at contemporary art every day, read articles about fear and sight, and conditioned our minds on writing and speaking about art. We hosted guess speakers (including ONOH, Anwar Floyd-Pruitt, and Yvette Pino), explored the Art and Design/Art Education/Art History Departments at UW-Madison, visited local museums as well as the Kohler Art Library. We also rounded everything out with a little making - below are some images of their final portrait projects and statement.
P.E.O.P.L.E. Program in a precollege pipeline program for low incomes students and students of color which serves as one of the many initiatives inspired by The Wisconsin Idea. Participating students are selected from schools around Wisconsin and after a rigorous application process, years of participation, and eventual completion of the program are given a healthy scholarship to UW. I feel a strong commitment to both serve as a mentor to young adults wanting to study art and give my services to programs which help to open up and diversify conduits that lead to robust employment in art and museum work, as there is much work to be done in those areas to repair and rebuild those traditionally exclusive spaces. I can't thank the organization enough for their trust and experience.
ARTIST STATEMENT: Looking at the work of Richard Prince, Cindy Sherman, and contemporary Instagram makeup shots, we created interpretive portraits of famous artworks. We represented our generation while incorporating past influences which shaped art as we know it today. Our purpose was to showcase the changes in beauty standards throughout time and create a new type of contemporary portrait - DD, HH, ML
Pleased to have a drawing included in the current Anonyme Zeichner exhibition, now on view at the Galerie im Körnerpark in Berlin. This is the first time I've officially shown work abroad!
Anonyme Zeichner (Anonymous Drawings) is an annual exhibition organized by the incredible Anke Becker. I had the pleasure to work alongside Anke at a residency at Vermont Studio Center a couple years back. Each year, six hundred drawings are selected from artists around the world and displayed with all identities of the artists kept secret. Only upon the drawings' purchase is their identity revealed, and all works are priced the same. By doing this, many of the traditional hierarchical structures of the fine art gallery are eradicated. Vielen Dank to Anke for all her hard work on this juggernaut of a project. Wish I could jet off to Berlin to see it!
Anonyme Zeichner will be on view through September 19th.
When I first started working for SNAG as the conference intern a couple years ago, I learned about the Radical Jewelry Makeover project. Sponsored by Ethical Metalsmiths, RJM is a traveling initiative that partners with metalsmithing departments, local jewelers, and the community to transform unwanted jewelry into new pieces, then showcases them in an exhibition, the proceeds of which fund scholarships and Ethical Metalsmiths' vision of sustainable and informed craft.
I never could imagine that I would one day be able to take part in such a cool project, but this year RJM traveled to Wisconsin! Centered out of UW-Milwaukee, metalsmithing students from UW-Madison, UW-Stout, and UW-Whitewater were invited to create work. After an intense 2-week donation drive for jewelry, all the collected pieces were gathered up and dispersed to each program, and then the making began! A big thank you goes out to my coworker Chloe Darke, who spearheaded all administrative and marketing of the project in Madison. Some fruits of her labor can be seen here and here.
Last Friday was the opening of the RJM:WI exhibit, and we traveled to Milwaukee to enjoy the event. The Union Art Gallery team did a fantastic job of displaying all the work, and a performer was hired to recite some of the stories that donors shared about their old pieces. Awards were given, and I was presented a scholarship for creating a piece that won the "What I'd Most Like to Wear" category. Much thanks to juror/Ethical Metalsmiths director (and Madison grad!) Susie Ganch and the organizers, for that distinction.
It was a fantastic evening - we met metalsmithing professors and students from all over the region, and enjoyed the jewelry, food, drink, and conversation for several hours before leaving. There was much to celebrate, as many pieces sold the night of the exhibition. The show will be on view through May 11th, so there is plenty of time to visit. There is also an upcoming exhibition catalog, with a release date TBD.
Below are some images of work I made, a collaborative necklace from the UW-Madison metals department fabricated from melted down silver and gold jewelry, and snapshots of the show itself.
Super psyched to report that I have been awarded a TA position for 2018-19! I'll be teaching sections of Art 108/208: Foundations of Contemporary Art to undergraduate students starting next fall semester, lecturing about the 20th century movements that inform the discussions and production of art today. UW-Madison undergrads, watch out! ;)
I'm viciously behind in updating the news portion of the site, as grad school has been keeping me busy - however last month I had the pleasure of having a couple of my Bushcraft Collars featured in the Eau Claire-based guerrilla gallery ArtFly's Touch Me, Baby exhibition. All accepted works for this show were able to be touched, breaking down the traditional narrative of art experience and making it into something kinetic and tactile - and it looks like viewers had a lot of fun. Much thanks to Kelsey Wenberg for her hard work and initiative in pulling this show together. Images from the reception can be seen here, courtesy of VolumeOne.
In July, I taught my last class at The Lawrence Arts Center for the foreseeable future. I'm forever thankful for the supportive community I found there, and I miss it already. Below are a few select images of work made this summer in my classes, including some pieces from "Metallurgy", "Metalheads", and "Rings, Rings, Rings" as well as an adult education workshop I ran titled "Alternative Materials in Jewelry."
"An examination of work exploring the body within the contemporary art jewelry field"
It's finally here! So incredibly excited to have my work included in this exhibition, among many artists whom I greatly admire. Feeling so very grateful.
"Body of Work" is an exhibition resulting from the partnership between Google Cultural Institute and Baltimore Jewelry Center. It was recently launched alongside close to 200 other exhibitions from organizations from around the world as part of a larger global fashion project dubbed "We Wear Culture." The exhibition will be available indefinitely (and it's breathtaking)! I love this field, and "Body of Work" is a beautiful representation of the issues art jewelers are investigating today, presented in a sleek accessible format.
See "Body of Work" HERE.
I'm still reeling from my trip to New Orleans for SNAG: Nexus! In addition to serving as the Portfolio Review Coordinator and enjoying all the brilliant content and exhibitions, I treated myself to some serious vacation time. We went to the NOMA and enjoyed the lovely Sculpture Garden in City Park, checked out the WWII Museum, the Backstreet Cultural Museum, as well as the Contemporary Art Center (which had a pair of killer solo exhibitions from Cecilia Vicuña and Senga Nengudi). We walked through Canal, Magazine, Frenchman, and Bourbon Streets, enjoying as many galleries and markets that we could. AND WE GOT TO SEE THE MUSEUM OF DEATH, as well as a few graveyards - slightly morbid treats that were right up my alley. Also, I highly suggest any metalhead and/or Russian food afficianato check out Siberia & KUKHNYA, which quickly became our regular dive while there.
New Orleans is a gorgeous city - I felt that I was in a little slice of Europe right here in my own country, especially with the amount of beautiful churches and city squares. Oh, and the food was magnificent.
Below are a few snapshots of the city, the conference, jewelry, and more. You can see more on my Instagram @caterichardsart
Until next time, NOLA!
While I've known for a couple months now, the reality is just now hitting me as I start to pack my things - I'm heading to graduate school! I was accepted into the University of Wisconsin-Madison's MFA Program (with a fellowship to boot!), and I'm still in a state of jubilant shock. It's the badger life for me for the next three years!
Here it is! A couple weeks ago this thread was launched through the contemporary craft forum crafthaus - it includes essays by Casey Sheppard and myself about our time in Joshua Tree, and includes a digital exhibition of the work I created. Check it out! Big thanks to Brigitte Martin for her support and helping to organize this forum!
CHECK IT OUT HERE.
Super psyched! I'll be teaching a 2-day adult workshop at The Lawrence Arts Center this summer - Alternative Materials in Jewelry, July 8th and 9th. We're going to look at the work of contemporary jewelers and learn the possibilities of materials like wood, acrylic, silicone, and more. I'll be giving demos on integrating such materials into our pieces alongside established jewelry fabrication techniques. An opportunity for your imagination to run wild! All experience levels welcome!
For more information and enrollment, visit https://ada.lawrenceartscenter.org/browseclasses
I'm a little late on this one, given that we just finished with a three-exhibition turnaround at the arts center AND I was just whisked away to New Orleans for SNAG: Nexus, but I recently was asked to judge the 3D component of the Vanguard Arts Awards for USD 497 in Lawrence. I adore being part of scholarship-granting initiatives for youth, so of course I was ecstatic about the invitation and accepted.
The public schools of Lawrence produce some of the most considered youth art that I have ever come across - every year at the annual USD 497 Exhibition I am blown away by the quality and technical capabilities of these young artists. Painting, illustration, digital media, photography, ceramics, and (YES) even metals pieces by students from Kindergarten through 12th Grade are on display. Their aptitude is a testament to the students' skill, teachers, and the arts-supportive community of Lawrence. Going to school in rural Kansas, which had a meager art program and little chance of scholarship, I am so very proud to be part of a nexus of support for these kids.
I and printmaker Tressa Jones judged the qualifying work and awarded 9 total awards to exceptional high-school artists and their mentors. My HUGE CONGRATULATIONS to the winners, which you can read about here.
Last month I was selected as the inaugural resident artist for the new Case of The Nomads residency in Joshua Tree National Park, and I'm happy to report that I have just returned from southern California! After a week of living off the grid and making work responding to the harsh conditions I found myself in, it feels bittersweet to be home. I'm not going to say that I "found myself" in the desert, but I definitely emerged out of it a better artist than I was before. Certainly a much sandier artist than I was before, in any case.
There currently is a digital exhibition and write up featuring pieces I made in Joshua Tree in the works, with a tentative release date of within the month. It will be featured on crafthaus, and I couldn't be more excited. I will keep everyone updated when it's available for viewing!
The remarkable Heidi Lynne Gluck recently donned some of my work for a shoot, and the results are just beautiful. Below are a few select shots, expertly captured by photographer Dan Compton. Featured are the Foundation Necklace, Ore Collar, and copper Cairn Necklace.
Heidi is a fellow ArtistINC alumna and brilliant singer-songwriter, musician, producer, and is one-third of the band Some Girls. I encourage everyone to give her latest full-length solo album Pony Show a listen.