I am now . . .

The official holder of a Certificate in Museum Studies from Northwestern University! It came in the mail today - it took about a year to finish, but the experiences I had completing it were great for my skill repertoire. While completing two credential-granting programs at the same time was stressful, the knowledge I gathered from both played off of each other and gave me a rounder, more varied perspective about art today. Maker. Curator. Visitor. Educator. Administrator. Historian. Doer.
 

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Summer Days Are Waning

Two weeks until I return to school to start my second year of graduate school - I'm stunned that time continues to slip away. As I scramble to finish the multitude of projects that I slated myself to finish this summer and chide myself for not getting more done, I have to reflect on what I actually DID do this summer. To be fair to myself, I accomplished a lot!

I managed to pull together an early (and much needed) summer vacation to Massachusetts, Rhode Island, and New York with my daughter to visit my partner in Cape Cod in May - we relaxed on the coast, enjoyed an encaustic symposium in Provincetown, went to NYC to see Heavenly Bodies at The Cloisters and The Met proper, visited the MFA-Boston, Salem, Sienna Patti, checked out Anselm Kiefer's new show at MassMoca, saw old friends in PVD, and visited my most beloved aunt in Oakham. It was my daughter's first time seeing the ocean and it was a trip we will never forget.

 Head of the Meadow Beach, MA

Head of the Meadow Beach, MA

 Kiefer at MassMOCA

Kiefer at MassMOCA

Upon returning, it was time to work. In addition to teaching and making this summer, I was awarded a small grant for research late in the Spring semester, so I used the funds to travel north to the upper Michigan peninsula for field work. I spent the weekend studying the material culture of the Finnish and mining cultures of the region, visiting museums, sweating it out in saunas, and eating pasties along the way. On my last day, I joined up with a group of UW-Madison Folklore students also researching in the area, and we attended the annual Juhannus festival. There was Finnish food, dancing, beer, and a spectacular Midsummer bonfire in Toivola.

 Finlandia University

Finlandia University

 Copper Range Historical Museum

Copper Range Historical Museum

 Hanka Homestead Finnish Museum

Hanka Homestead Finnish Museum

 Juhannus at Pebble Beach

Juhannus at Pebble Beach

Finally, my fellow grad Chloe Darke and myself were awarded scholarships to attend a workshop at Pocosin Arts School of Fine Craft in North Carolina. For a week we refined our smithing skills alongside Maia Leppo creating steel jewelry pieces and samples. We also enjoyed the swamp and its resident spiders, ate lots of Peruvian and Mexican chow, saw amazing enamel work, and visited the local junk shops (where I found an amazing antique steel greyhound muzzle, which I kept on my bench throughout the class). There may have been a trip to the outer banks for some legitimate beach time as well . . . On our last day, we drove to Norfolk, VA and visited my buddy Jane Ritchie, who took us for to superb sushi and local brews. The utmost of thanks to Pocosin for gifting us the time and space to work, as well as all the new connections.

 My bench at Pocosin

My bench at Pocosin

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 Cape Hatteras National Seashore

Cape Hatteras National Seashore

It really has been a summer to remember.

PEOPLE Program

Tomorrow is my last day teaching for the P.E.O.P.L.E. Program for the summer, and Friday is my students' graduation. My heart is bursting with pride - I had the privilege of working with three bright, compassionate, and inquisitive interns as a resource for their professional development. Through these past four weeks, we worked through what it means to study art and be an artist in today's world.

In addition to going through a smorgasbord of professional practices curricula, we also discussed generational differences and technology - espicially how they affect art perceptions and making. We looked at contemporary art every day, read articles about fear and sight, and conditioned our minds on writing and speaking about art. We hosted guess speakers (including ONOH, Anwar Floyd-Pruitt, and Yvette Pino), explored the Art and Design/Art Education/Art History Departments at UW-Madison, visited local museums as well as the Kohler Art Library. We also rounded everything out with a little making - below are some images of their final portrait projects and statement.

P.E.O.P.L.E. Program in a precollege pipeline program for low incomes students and students of color which serves as one of the many initiatives inspired by The Wisconsin Idea. Participating students are selected from schools around Wisconsin and after a rigorous application process, years of participation, and eventual completion of the program are given a healthy scholarship to UW. I feel a strong commitment to both serve as a mentor to young adults wanting to study art and give my services to programs which help to open up and diversify conduits that lead to robust employment in art and museum work, as there is much work to be done in those areas to repair and rebuild those traditionally exclusive spaces. I can't thank the organization enough for their trust and experience.

ARTIST STATEMENT: Looking at the work of Richard Prince, Cindy Sherman, and contemporary Instagram makeup shots, we created interpretive portraits of famous artworks. We represented our generation while incorporating past influences which shaped art as we know it today. Our purpose was to showcase the changes in beauty standards throughout time and create a new type of contemporary portrait - DD, HH, ML

ANONYME ZEICHNER

Pleased to have a drawing included in the current Anonyme Zeichner exhibition, now on view at the Galerie im Körnerpark in Berlin. This is the first time I've officially shown work abroad!

Anonyme Zeichner (Anonymous Drawings) is an annual exhibition organized by the incredible Anke Becker. I had the pleasure to work alongside Anke at a residency at Vermont Studio Center a couple years back. Each year, six hundred drawings are selected from artists around the world and displayed with all identities of the artists kept secret. Only upon the drawings' purchase is their identity revealed, and all works are priced the same. By doing this, many of the traditional hierarchical structures of the fine art gallery are eradicated. Vielen Dank to Anke for all her hard work on this juggernaut of a project. Wish I could jet off to Berlin to see it!

Anonyme Zeichner will be on view through September 19th.

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 Images taken from  Anonyme Zeichner

Images taken from Anonyme Zeichner

Radical Jewelry Makeover: Wisconsin

When I first started working for SNAG as the conference intern a couple years ago, I learned about the Radical Jewelry Makeover project. Sponsored by Ethical Metalsmiths, RJM is a traveling initiative that partners with metalsmithing departments, local jewelers, and the community to transform unwanted jewelry into new pieces, then showcases them in an exhibition, the proceeds of which fund scholarships and Ethical Metalsmiths' vision of sustainable and informed craft.

I never could imagine that I would one day be able to take part in such a cool project, but this year RJM traveled to Wisconsin! Centered out of UW-Milwaukee, metalsmithing students from UW-Madison, UW-Stout, and UW-Whitewater were invited to create work. After an intense 2-week donation drive for jewelry, all the collected pieces were gathered up and dispersed to each program, and then the making began! A big thank you goes out to my coworker Chloe Darke, who spearheaded all administrative and marketing of the project in Madison. Some fruits of her labor can be seen here and here.

Last Friday was the opening of the RJM:WI exhibit, and we traveled to Milwaukee to enjoy the event. The Union Art Gallery team did a fantastic job of displaying all the work, and a performer was hired to recite some of the stories that donors shared about their old pieces. Awards were given, and I was presented a scholarship for creating a piece that won the "What I'd Most Like to Wear" category. Much thanks to juror/Ethical Metalsmiths director (and Madison grad!) Susie Ganch and the organizers, for that distinction. 

It was a fantastic evening - we met metalsmithing professors and students from all over the region, and enjoyed the jewelry, food, drink, and conversation for several hours before leaving. There was much to celebrate, as many pieces sold the night of the exhibition. The show will be on view through May 11th, so there is plenty of time to visit. There is also an upcoming exhibition catalog, with a release date TBD.

Below are some images of work I made, a collaborative necklace from the UW-Madison metals department fabricated from melted down silver and gold jewelry, and snapshots of the show itself.

Instructor of Record? Instructor of Record.

Super psyched to report that I have been awarded a TA position for 2018-19! I'll be teaching sections of Art 108/208: Foundations of Contemporary Art to undergraduate students starting next fall semester, lecturing about the 20th century movements that inform the discussions and production of art today. UW-Madison undergrads, watch out! ;)

Touch Me, Baby: An Interactive Art Exhibition

I'm viciously behind in updating the news portion of the site, as grad school has been keeping me busy - however last month I had the pleasure of having a couple of my Bushcraft Collars featured in the Eau Claire-based guerrilla gallery ArtFly's Touch Me, Baby exhibition. All accepted works for this show were able to be touched, breaking down the traditional narrative of art experience and making it into something kinetic and tactile - and it looks like viewers had a lot of fun. Much thanks to Kelsey Wenberg for her hard work and initiative in pulling this show together. Images from the reception can be seen here, courtesy of VolumeOne.

 Image by Andrea Paulseth, VolumeOne

Image by Andrea Paulseth, VolumeOne

Body of Work is Live

"An examination of work exploring the body within the contemporary art jewelry field"

It's finally here! So incredibly excited to have my work included in this exhibition, among many artists whom I greatly admire. Feeling so very grateful.

"Body of Work" is an exhibition resulting from the partnership between Google Cultural Institute and Baltimore Jewelry Center. It was recently launched alongside close to 200 other exhibitions from organizations from around the world as part of a larger global fashion project dubbed "We Wear Culture." The exhibition will be available indefinitely (and it's breathtaking)! I love this field, and "Body of Work" is a beautiful representation of the issues art jewelers are investigating today, presented in a sleek accessible format.

See "Body of Work" HERE.

SNAG: Nexus, and A Little Vacation Time

I'm still reeling from my trip to New Orleans for SNAG: Nexus! In addition to serving as the Portfolio Review Coordinator and enjoying all the brilliant content and exhibitions, I treated myself to some serious vacation time. We went to the NOMA and enjoyed the lovely Sculpture Garden in City Park, checked out the WWII Museum, the Backstreet Cultural Museum, as well as the Contemporary Art Center (which had a pair of killer solo exhibitions from Cecilia Vicuña and Senga Nengudi). We walked through Canal, Magazine, Frenchman, and Bourbon Streets, enjoying as many galleries and markets that we could. AND WE GOT TO SEE THE MUSEUM OF DEATH, as well as a few graveyards - slightly morbid treats that were right up my alley. Also, I highly suggest any metalhead and/or Russian food afficianato check out Siberia & KUKHNYA, which quickly became our regular dive while there. 

New Orleans is a gorgeous city - I felt that I was in a little slice of Europe right here in my own country, especially with the amount of beautiful churches and city squares. Oh, and the food was magnificent.

Below are a few snapshots of the city, the conference, jewelry, and more. You can see more on my Instagram @caterichardsart

Until next time, NOLA!

Graduate School

While I've known for a couple months now, the reality is just now hitting me as I start to pack my things - I'm heading to graduate school! I was accepted into the University of Wisconsin-Madison's MFA Program (with a fellowship to boot!), and I'm still in a state of jubilant shock. It's the badger life for me for the next three years!
 

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COTN Residency + crafthaus: Blog and Exhibition

Here it is! A couple weeks ago this thread was launched through the contemporary craft forum crafthaus - it includes essays by Casey Sheppard and myself about our time in Joshua Tree, and includes a digital exhibition of the work I created. Check it out! Big thanks to Brigitte Martin for her support and helping to organize this forum!

CHECK IT OUT HERE.

  Jewelry for Trees: Beaded Necklace  Cotton thread, found wood, and coyote gourds

Jewelry for Trees: Beaded Necklace
Cotton thread, found wood, and coyote gourds

LAC Summer Workshop: Alternative Materials in Jewelry

Super psyched! I'll be teaching a 2-day adult workshop at The Lawrence Arts Center this summer - Alternative Materials in Jewelry, July 8th and 9th. We're going to look at the work of contemporary jewelers and learn the possibilities of materials like wood, acrylic, silicone, and more. I'll be giving demos on integrating such materials into our pieces alongside established jewelry fabrication techniques. An opportunity for your imagination to run wild! All experience levels welcome!

For more information and enrollment, visit https://ada.lawrenceartscenter.org/browseclasses

Vanguard Arts Awards

I'm a little late on this one, given that we just finished with a three-exhibition turnaround at the arts center AND I was just whisked away to New Orleans for SNAG: Nexus, but I recently was asked to judge the 3D component of the Vanguard Arts Awards for USD 497 in Lawrence. I adore being part of scholarship-granting initiatives for youth, so of course I was ecstatic about the invitation and accepted.

The public schools of Lawrence produce some of the most considered youth art that I have ever come across - every year at the annual USD 497 Exhibition I am blown away by the quality and technical capabilities of these young artists. Painting, illustration, digital media, photography, ceramics, and (YES) even metals pieces by students from Kindergarten through 12th Grade are on display. Their aptitude is a testament to the students' skill, teachers, and the arts-supportive community of Lawrence. Going to school in rural Kansas, which had a meager art program and little chance of scholarship, I am so very proud to be part of a nexus of support for these kids.

I and printmaker Tressa Jones judged the qualifying work and awarded 9 total awards to exceptional high-school artists and their mentors.  My HUGE CONGRATULATIONS to the winners, which you can read about here.
 

Case of The Nomads Residency in Joshua Tree National Park

Last month I was selected as the inaugural resident artist for the new Case of The Nomads residency in Joshua Tree National Park, and I'm happy to report that I have just returned from southern California! After a week of living off the grid and making work responding to the harsh conditions I found myself in, it feels bittersweet to be home.  I'm not going to say that I "found myself" in the desert, but I definitely emerged out of it a better artist than I was before.  Certainly a much sandier artist than I was before, in any case.

There currently is a digital exhibition and write up featuring pieces I made in Joshua Tree in the works, with a tentative release date of within the month.  It will be featured on crafthaus, and I couldn't be more excited.  I will keep everyone updated when it's available for viewing!
 

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Heidi Lynne Gluck + Cate Richards

The remarkable Heidi Lynne Gluck recently donned some of my work for a shoot, and the results are just beautiful. Below are a few select shots, expertly captured by photographer Dan Compton.  Featured are the Foundation Necklace, Ore Collar, and copper Cairn Necklace.

Heidi is a fellow ArtistINC alumna and brilliant singer-songwriter, musician, producer, and is one-third of the band Some Girls.  I encourage everyone to give her latest full-length solo album Pony Show a listen.

2017 Shooting Stars Scholarship Program

Yesterday I got the privilege to judge the 3D category (alongside the wonderful Ari Fish) for the Arts Council of Johnson County's annual Shooting Stars Scholarship Program. So much wonderful work was reviewed thanks to a group of extraordinarily talented highschoolers.  It is my firm belief that if you invest in young artists now and the benefits will surely come later!  In addition to the top two artists receiving scholarships, a few lucky students will have their work exhibited at the Nerman Museum of Contemporary Art.

The Gala celebrating the achievements of all the nominees will be Sunday, May 26th.  I will be in New Orleans for SNAG, however I firmly congratulate the winners on their fantastic achievements. 

For more information, check out the Shooting Stars page here.

 

BUSHCRAFT

Vermont was amazing (Trees! Nature! Leaves! Covered bridges!) and I surprised myself with the amount of work accomplished.  Working during the day as an arts administrator and having only the nights and weekends remaining for my studio, the opportunity to have two weeks of uninterrupted work was an absolute privilege.  The Vermont Studio Center is the largest international residency program in the world, and gave me the chance to network with so many other extraordinary artists.  I gave a slide presentation, attended several visiting artist talks, participated in a group show, and even opted for studio visits with Derrick Adams and Katherine Bradford.  All these wonderful things amounted to 2 weeks where I was able to create honestly and experiment freely.

I took this opportunity and newly acquired wilderness to start investigating new work about survivalism and Bushcraft cultish societies.  I've started to consider the ways our bodies interact with the land, and the ways in which we arrange unchanged natural materials to suit our own needs.  Injecting the feminine, the magical, the esoteric, into these traditionally masculine acts.  Putting the BUSH and CRAFT into Bushcraft, as it were.

Survival skills were learned, ceremonial objects were manifested, and materials were cast and arranged.  I have now a good platform to continue onward with.  Below are some shots of my studio, and the beautiful region where I stayed.  More images can be seen on my Instagram account @caterichardsart

Thank you Vermont Studio Center!
 

RING IT ON: Sulpture, Fashion, Function @ Lillstreet Gallery

One of my bronze Zufall Rings has made its way to Chicago to be featured in the "Ring It On: Sculpture, Fashion, Function" exhibition at Lillstreet.  Excited to be a part of this show, as the Lillstreet Art Center is a Midwestern art powerhouse which offers residencies, studio rentals, classes, and exhibitions.  Below is the complete list of participating artists:

Participating Artists:
Peter Antor
Lex Archibald (Pity Fab)
Cat Bowyer
JenHui Chang
Andrée Chérnier
Hillarey Dees
Katie Kameen
Kristi Kloss
Neil Kraus
Maura Lenahan
Honglin Liu
Ace McCasland
Kelly Novak
Yuka Okane Inoue
Louise Perrone
Courtney Powell
Nash Quinn
Cate Richards
Rebecca Rose
Rose Schlemmer
Amanda Shin
Jan Smith
Amanda Stumpf
Jason Thompson
Dylan Tuckman
Xinhao Yang
Kat Zhang

Juried by Pam Robinson and Nora McCarthy

"Ring It On" runs from November 4th through December 4th, and coincides with SOFA Chicago.  If you are in the area, pop in to say hello!